![]() That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. While recording, the file header is then continuously updated every time new data is written. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio, and timecode when the record button is pressed. Ki Protect Ki Pro Ultra Plus includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. This function works with each input to Ki Pro Ultra Plus and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the timecode of each file recorded being equal. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. But Ki Pro Ultra Plus is designed so that as soon as a loss in signal is detected on any of the inputs, a color bar frame with the legend “Loss of Signal” is recorded until the input is restored or the shoot ends. Continuous Record and Rollover, Even in Multi-Channel Mode Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. 4, making it very easy to track assets in post. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with. ![]() Just drag and drop the files directly from the Pak media into your edit. No additional conversion or software is required. Edit-Ready, Independent ProRes Files Multi-channel recording with Ki Pro Ultra Plus provides individual, discrete recordings for each input that are timecode-accurate and ready to be imported directly into a multi-channel editing sequence. (Pak Media 1000 modules with an -R0 module designation and all Pak Media modules with -R1 designations are supported for multi-channel recording.) Ki Pro Ultra Plus even allows rollover to a second Pak for hours of uninterrupted multi-channel recording. Starting with input 1, add channels as needed in order when utilizing like raster sizes and frame rates, and record your HD Apple ProRes files on the same AJA Pak media, sold separately. Select high-resolution Apple ProRes HQ for high-quality finishing and use a second input to record ProRes (proxy) for an efficient editing pipeline. Ki Pro Ultra Plus even allows independent profile support per channel in Multi-Channel mode. Simplify your multi-camera productions by running up to four cameras, and save power, space, time, and effort on set, in the studio, and when setting up OB trucks. Multi-Channel HD Recording Record 1, 2, 3, or 4 channels of HD up to 1080p60/50 in Apple ProRes simultaneously. It also has a handle on top for easy transport. It has a half-rack width, and two units fit in a single compatible rack shelf, sold separately. Ki Pro Ultra Plus can be used desktop-mounted or installed in a 2 RU rack. Dual redundant 4-pin XLR power inputs provide you with security against accidental power loss. Ki Pro Ultra Plus has a 4.8″, 720p LCD screen that delivers a clear playback image. Two AJA Pak slots are available and allow for rollover recording without dropping frames. ![]() It records to optional AJA Pak Media SSDs. Recording to ProRes codecs up to ProRes 4444 and to Avid DNxHD, and offering familiar VTR-style front panel controls, the Ki Pro Ultra Plus is simple to use and records to robust, edit-ready formats. Ki Pro Ultra Plus features four 3G-SDI inputs and one HDMI input, and the same number of outputs, and also supports optional fiber modules for extended distances. Expanding on the Ki Pro Ultra, the AJA Ki Pro Ultra Plus allows for four channels of simultaneous recording in up to 1080p60/50, as well as single channel recording and playback of DCI 4K, Ultra HD 4K, 2K, and HD signals.
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